Photo Credit: Ricky Flores
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Cunningham’s work is concerned with time, transience and contradictions, and she gravitates to architectural and structural remnants of current and previously existing cultures. She often poses the veracity of the photo-based transferred images against interpretive, fluid calligraphic drawing line and form. With sensually gripping form she tempts the viewer to take in sometimes discomforting, underlying content. Discarded materials such as twisted steel beams & unraveling copper cable from the former German border become metaphors for the transience of 21st C development.